Bethany Nowviskie

a kit for hosting Speaking in Code

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[Cross-posted from the Re:Thinking blog at CLIR, the Council on Library and Information Resources, where I'm honored to be serving as Distinguished Presidential Fellow. Check out all the great content at CLIR! (and see the Scholars' Lab's announcement, too).]

This is a belated follow-up post to last autumn’s “How We Learned to Start/Stop Speaking in Code,” in which I described the motivation for us, at the UVa Library Scholars’ Lab, to host a two-day summit on the scholarly and social implications of tacit knowledge exchange in digital humanities software development. But the timing is good!—because today, the Scholars’ Lab is releasing a web-based toolkit that any group can use to host a similar gathering. We also want to make the community aware of some venues in which distributed discussions of the social and theoretical side of DH software development can continue online: using the #codespeak hashtag on Twitter, and at the #speakingincode channel on IRC.

“Speaking in Code” was generously supported by the National Endowment for the Humanities and the University of Virginia Library, and it brought together 32 competitively-selected, advanced software developers with expertise in humanities applications of computing, for an extended conversation about the culture and craft of codework in DH. The group that met in Charlottesville last November paid special attention to knowledge and theoretical understandings that are gained in practice yet typically go unspoken—embodied in systems, techniques, interfaces, and tools, rather than in words. This is a brand of humanities work that can seem arcane and inaccessible to scholars, or worse: because its methods and outcomes are not always broadly legible, it is easily assumed to be devoid of critical thought and contextual (historical, theoretical, or literary) understanding. To quote my last post:

Communications gaps are deep and broad, even among humanities-trained software developers and the scholars with whom they collaborate. Much (not all) knowledge advances in software development through hands-on, journeyman learning experiences and the iterative, often-collaborative development of built objects and systems. Much (not all) knowledge advances in humanities scholarship through fixed and fluid kinds of academic discourse: referential, prosy, often agonistic. Read the rest of this entry »

  • Published: Jul 10th, 2014
  • Category: unfiltered
  • Comments: 12

digital humanities in the anthropocene

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[Update: Low-res versions of my slides and an audio reading are now available for download, and Melissa Terras' wonderful performance of the talk is up on the Digital Humanities 2014 website.]

“And by-and-by Christopher Robin came to an end of the things, and was silent, and he sat there looking out over the world, and wishing it wouldn’t stop.” – A. A. Milne

Every morning, as the Virginia sun spills over the rim of the Shenandoah Valley, I dive into the water of my municipal swimming pool and think of ruined Roman baths. On either end of the lane in which I take my laps are blue tile letters, mortared just beneath the waterline by a craftsman of the century gone by. I read two words as I swim back and forth: shallow and deep, shallow and deep.

I’m here to give a talk that likewise wants to glide from shallows to depths in turn. My hope is to position our work—the work of the DH community that has nurtured me with kindness for some 18 years—less as it is lately figured (that is, less as a fragmenting set of methodological interventions in the contemporary, disciplinary agon of humanities scholarship) and more as one cohesive and improbably hopeful possibility. The possibility is for strongly connecting technologies and patterns of work in the humanities to deep time: both to times long past and very far in prospect. But I’ll swim to the shallows, too—because, by musing about the messages we may attempt to send and receive in the longest of longues durées, I mean also to encourage a searching and an active stance in DH, toward our present moment—toward engagement with the technological, environmental, and ethical conditions of our vital here-and-now.

I promised in my abstract a practitioner’s talk, and that is what you will get. I’m not a philosopher or a critic. I’m a builder and a caretaker of systems—so I will attempt to bring a craftsperson’s perspective to my theme tonight.

Read the rest of this entry »

  • Published: May 4th, 2014
  • Category: design
  • Comments: 1

anthropocene abstract

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I am deeply honored to have been invited to give a plenary lecture at this year’s Digital Humanities conference, planned for Lausanne, Switzerland in early July. My fellow keynoters are Bruno Latour, Sukanta Chaudhuri, and Ray Siemens, who will receive ADHO‘s Zampolli Prize. This is quite a line-up! I’m not nervous at all. Why do you ask?

Now that I’ve provided an abstract for the talk, I thought I’d share it here. My subject is Digital Humanities in the Anthropocene:

This will be a practitioner’s talk, and—though the abstract belies it—an optimistic one. I take as given the evidence that human beings are irrevocably altering the conditions for life on Earth and that, despite certain unpredictabilities, we live at the cusp of a mass extinction. What is the place of digital humanities practice in the new social and geological era of the Anthropocene? What are the DH community’s most significant responsibilities, and to whom? This talk will position itself in deep time, but strive for a foothold in the vital here-and-now of service to broad publics. From the presentist, emotional aesthetics of Dark Mountain to the arms-length futurism of the Long Now, I’ll dwell on concepts of graceful degradation, preservation, memorialization, apocalypse, ephemerality, and minimal computing. I’ll discuss digital recovery and close reading of texts and artifacts—like the Herculaneum papyri—once thought lost forever, and the ways that prosopography, graphesis, and distant reading open new vistas on the longue durée. Can DH develop a practical ethics of resilience and repair? Can it become more humane while working at inhuman scales? Can we resist narratives of progress, and still progress? I wish to open community discussion about the practice of DH, and what to give, in the face of a great hiatus or the end of it all.

The talk will likely be recorded at the event and later published in one of the ADHO journals, but I will also (as usual) post the text here after I deliver it. You’ll see hints at my reading on the subject in the abstract above—from Jo Guldi and David Armitage to Steven J. Jackson, Rebecca Solnit, Shiv Visvanathan, Bruno Latour, Dipesh Chakrabarty, Timothy Morton, Susie O’Brien, Brian Lennon, Eileen Crist, and more, including a number of institutional and collective projects—but I welcome messages pointing me at things you suspect I’ll miss.

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Work at http://nowviskie.org by Bethany Nowviskie is licensed under a Creative Commons Attribution 3.0 Unported License.
This site runs a heavily modified version of Bryan Helmig's Magatheme. I designed the falling letters circa 1998, and never get tired of them.