Bethany Nowviskie

on capacity and care

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[This is the blended and edited text of two talks I gave last week. One, titled “On Capacity and Care,” was the keynote presentation at the 2015 Office of Digital Humanities project director’s meeting at the National Endowment for the Humanities. The other was titled “Grand Challenges in/and Graduate Education,” and was presented at the University of Michigan, to inaugurate a series of “Mellon Conversations on the Future of the Humanities Doctorate.” Want the tl;dr version? It’s here, as “Capacity Through Care,” a brief provocation for Debates in DH 2017.]

Let’s see the merest edge of a glacier—stable, renewed through deep time—quickly bow to pressure, calve, and rush with a roar to join a flood that rises six thousand miles away. Let us see (we have seen; we could hardly bear to see) a child face down in the surf of an unforgiving sea, its waters connected with those you bathed in this morning: one among thousands cast off from political and economic systems through which we are likewise linked. Let’s see a human gesture, a characteristic crooked smile, a passing thought typed into a search engine, any one of a dozen unthinking transactions of a morning—the purchase of an apple, a novel for the train. Let’s see all of these things become tiny points of data in a surging ocean of data in which we may feel increasingly alienated and lost, and yet—happily or with un-wished-for accuracy—be found.

We are educating new cohorts of students of the liberal arts, both graduate and undergraduate, perhaps best positioned to discover, interpret, and build upon a growing species of understanding—one that may be deeply uncomfortable, yet has been more deeply, fundamentally, and long desired in the humanities: the knowledge of relationships among the largest and smallest of things. It’s my belief that the sobering environmental and social challenges of the 21st century—our grand challenges, global challenges, even extinction-level challenges—will require a more capacious humanities. By that I mean one that understands its history and possible futures broadly, and that has organized itself to work effectively, simultaneously, and in deep empathy and interconnection with other fields and disciplines, across multiple, varied scales. And this is why I took the invitation to speak to you on graduate education reform—as an opportunity not just to address the sorts of tactical steps one might take at a university like yours, in response to the more immediate issues that often provoke this conversation (issues like the employment placement of grads, their funding streams, future prospects for the professions of literature, history, and so on within the academy), but to address some much larger frames outside it, through which I think we need to look. So, among my major themes tonight will be the complementary notions of capacity and of care: two ideas that rarely appear together—particularly as they seem to work on different ends of the scale, and are so differently gendered—in our discourse about the humanities in the digital age.
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open and shut

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I recently collaborated on a project a little outside the ordinary for me: a case study for a chapter in a forthcoming textbook for, well, cops and spooks. (Cue performative outrage and sub-tweeting about the digital humanities’ complicity in our modern surveillance state–which I will address in a moment.) The book is the infelicitously-titled Application of Big Data for National Security: A Practitioner’s Guide to Emerging Technologies, edited by Babak Akhgar et al. These are circles alien to me, but in which my chapter’s co-author, Gregory Saathoff, frequently moves.

I write about the project here for two reasons–seemingly different, but in fact closely aligned. The first is that I successfully and quite easily negotiated alterations to my author’s contract with Elsevier (my own little valentine) that made it possible for me to reconcile placing the chapter in a Butterworth-Heinemann book with my deeply-held open access values. (I remain, in terms of journal publishing, a Cost of Knowledge signatory, pledging not to publish in or contribute editing and reviewing time to Elsevier journals until their business practices become less damaging to academic libraries and the public good.) I thought it might be helpful for others to know how I undertook this negotiation, and why open access publishing is usually even easier for me. The other reason for this post has to do with the content and message of the book chapter, and its relation to recent debates in the digital humanities. This, too, relates to problems of openness, audience, and the public impact of humanities scholarship. Read the rest of this entry »

all at once

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Thirteen years ago, I was a graduate student in English literature when the Twin Towers collapsed, a fireball erupted from the Pentagon, and a group of everyday travelers hurtled a fourth involved commercial airliner, in self-sacrifice, into a muddy field. We got an email from our department chair. It read (I paraphrase), “this is why poetry matters.”

I had been watching people leap to their deaths from skyscrapers on the morning news. “Bullshit,” said I, a girl who had been in love with Shakespeare and Pope and Keats and Tennyson since grade school. And that was the end of any more conventional conception I may have had of my own career–the end, for me, of the profession of English.

I was, truth be told, already on the way out, toward my discipline’s methodological and material oddball fringe–specializing by then not in literary hermeneutics but in the mapping of its lessons and techniques to bibliography, scholarly editing, human-computer interaction, and humanities computing. Over time–by applying my teaching experience and past education in Education, and by learning from the side jobs in labs and centers that I held as a grad student–I built some expertise in project management and digital cultural heritage. In that way, I applied myself to work that felt more satisfyingly pragmatic to me. I couldn’t bear to spend my time happily, as a single, sensitive reader and writer–but I could happily spend it struggling: nudging and nurturing people, and helping them find ways to work effectively as teams in the protection and remediation and interpretation and sharing of stuff. Soon I was a mother and a post-doc. Then I was a member of UVa’s research faculty in Media Studies and a mother some more. Finally, I became a librarian and (heaven help me) an administrator. Read the rest of this entry »

Creative Commons License This site uses a heavily modified version of Bryan Helmig's Magatheme. Work at by Bethany Nowviskie is always CC-BY. Want to know why? The falling letters are by Wayne Graham. He kindly made them to replace a set I designed in Flash in the late 1990s and had in place for more than 17 years. Not a bad run! Ave atque vale.