DH down under (state of play; why you care)

Posted on by Bethany Nowviskie

For the past two weeks, I’ve had the great privilege of presenting ideas (ranging from the institutional and professional to the scholarly and creative) in a series of six public lectures in four cities across New Zealand and Australia. These were invited talks and keynotes at events as diverse as: a project-specific and infrastructure-oriented workshop at Victoria University, Wellington; a joint DH and library Information Futures forum at the University of Melbourne; two gatherings geared toward archivists, curators, and arts and design faculty at schools and cultural heritage institutions in Canberra; and a thought-provoking digital editing symposium at Sydney Uni. The visit was was break-neck, whirlwind, and a great deal of fun, mostly thanks to my splendid hosts Sydney Shep, Craig Bellamy, Tim Sherratt, and Mark Byron. It didn’t hurt that it was summertime and end-of-term in the southern hemisphere, with the journey framed by a sparkling harbor in Wellington (which, it’s true, you can’t beat on a good day) and another in Sydney.

Happily, the visit afforded me an opportunity to learn from and better understand the values and working conditions of the Antipodean digital humanities community, members of whom I had only met before as exotic and sometimes jetlagged creatures out of their natural habitat. I considered it excellent timing and came to care about these folks, because they show a great deal of energy just now, not only for enlivening humanities scholarship through digital tools and methods, but for organizing — creating stronger local networks and a broad, new Australasian professional society for scholars and practitioners of the digital humanities: the first in the hemisphere. This could be an initiative that partners with ACH, which I represent, and stands on par with SDH-SEMI as a vibrant regional DH organization and potential ADHO collaborator. You should care, too. Here’s why.

Continue reading “DH down under (state of play; why you care)”

eternal september of the digital humanities

Posted on by Bethany Nowviskie

Here’s where I am. It’s nearly Hallowe’en, and kids have settled into school routines. I have little ones in my own house and big ones in the Scholars’ Lab — the youngest of whom are newly, this year, exactly half my age. Other kids are dead, and it’s still bothering me a good deal. Mornings in Virginia feel cold now, and acorns are everywhere underfoot. We’re tracking leaves inside.

It’s a melancholy way to begin a post, but it situates us.

It’s October 2010 in the social scene of the digital humanities, and (yes, I’m feeling wry) our gathering swallows Twitter in the skies.

I tweet a lot. It’s a mixture — the writing and the reading — of shallow, smart, and sweet. I answer lots of email, too, lots of messages from strangers asking questions. We’re doing a good job, my team, and people are asking how. I stuck my neck out on a thing or two, and people are asking why, or for more. This fall, I worked with friends to launch a website that I’m proud of — which is for strangers, asking questions. I’ve stopped answering to the phone.

There’s a bit of a joke around the SLab, about the degree to which the boss-lady is not service-oriented. It’s funny (as they say), because it’s true. But it’s only true insofar as I let it be — and most local colleagues realize that I put on this persona consciously, as a useful corrective or (at least) a countering provocation to that strong and puzzling tendency I have noted as a scholar come to work in libraries: the degree to which the most beautiful quality of librarianship — that it is a service vocation — becomes the thing that makes the faculty, on the whole, value us so little. Service as servile. The staffer, the alternate academic, the librarian, the non-tenure-track digital humanist, as intellectual partner? Not so long as we indulge our innate helpfulness too much. And not so long as we are hesitant to assert our own, personal research agendas — the very things that, to some of us once expected to join the professoriate, felt too self-indulgent to be borne.

Continue reading “eternal september of the digital humanities”

the #alt-ac track: negotiating your “alternative academic” appointment

Posted on by Bethany Nowviskie

[In late August, I wrote this post for the Chronicle of Higher Education‘s “ProfHacker” column. Because the enlightened Profs Hacker have ensured that all PH content is Creative-Commons licensed and I may, I’m re-posting it here! You can still read the original article, along with the comments it received, on the Chronicle‘s site.]

By now, avid ProfHacker readers will have encountered the cipher “#alt-ac:” a neologism and Twitter hashtag that marks conversations about “alternate academic” careers for humanities scholars. Here, “alternate” typically denotes neither adjunct teaching positions nor wholly non-academic (what-color-is-your-parachute, maybe-should-have-gotten-an-MBA) jobs — about which, in comparison, advice is easy to find.

Instead, the #alt-ac label speaks to to a broad set of hybrid, humanities-oriented professions centered in and around the academy, in which there are rich opportunities to put deep — often doctoral-level — training in scholarly disciplines to use. Recent #alt-ac conversation online additionally tends to focus on the digital humanities, a community of practice marrying sophisticated understanding of traditional disciplines with new tools and methods. The digital humanities constitute, in my opinion, the best gig in town — attracting scholars who exhibit restless, interdisciplinary curiosity, mastery of relevant research tools and methods (old and new), and uncommon comfort — in a world that defines expertise like this — with a general assumption that practitioners are jacks-of-all-trades.

If they are to serve us well, academic IT, libraries, publishing, humanities labs and centers, funders and foundations, focused research projects, cultural heritage institutions, and higher ed administration require a healthy influx of people who understand scholarship and teaching from the inside. That our culture for many years has labelled these people “failed academics” is a failure of imagination. Those who gravitate toward #alt-ac positions during or after completing graduate study are often driven to set things in motion in the academic environment, and to set things right. Couple the attractive #alt-ac mission of building systems (social, scholarly, administrative, technical) with an exceptionally sorry academic job market, and it becomes clear that more and more graduate students, post-docs, junior faculty, and underemployed lecturers will be stepping off the straight and narrow path to tenure. Continue reading “the #alt-ac track: negotiating your “alternative academic” appointment”

“but who looks east at sunset?” gerard manley hopkins & scientific observation

Posted on by Bethany Nowviskie

[This is the abstract of a talk I gave last weekend at “By the Numbers: The Victorian Quantification of Everything,” the 2010 gathering of the Victorians Institute, held at the University of Virginia. It was a splendid conference, hosted by NINES, and featuring an inspiring keynote address in which Dan Cohen presented the early results of his work in data-mining the Google Books corpus to study Victorian intellectual history. For me, the conference was notable because it was the first time in twelve years that I gave a paper not on digital humanities or institutional issues in publishing and higher ed. Since the conference didn’t publish a collection of abstracts, I thought I’d post mine (sans notes!) here. The paper itself goes into much greater detail on Hopkins’ approach to observation and the scene of Victorian scientific amateurism, and is available upon request.]

In October 1884, a letter appearing in the scientific journal Nature enjoined readers to place their faith in the measurements of “exact instruments” rather than in “untrustworthy impressions of the eye” in attempting to draw conclusions about sunsets and other natural phenomena. Spectroscopy, the correspondent suggests, is to be preferred to the idiosyncratic response of a human observer: colors should be calculable. He dismisses the recently-published sunset-speculations of a fellow amateur contributor, the painter Robert Leslie, as being founded more on conjecture and faulty observation than on measured analysis, and sharpens his own critique of observational subjectivity by insisting that the issue is not merely “a question of terms,” but that unsystematic examination can become “a hazardous thing” capable of reversing scientific progress.

And then this disciplined scientist becomes Gerard Manley Hopkins: “If a very clear, unclouded sun is gazed at, it often appears not convex, but hollow; – swimming, like looking down into a boiling pot or swinging pail, or into a bowl of quicksilver shaken: and of a lustrous but indistinct hue.” Continue reading ““but who looks east at sunset?” gerard manley hopkins & scientific observation”

new (and renewed) work in digital literary studies

Posted on by Bethany Nowviskie

This is just an early announcement about a session at January’s MLA convention. We now have a timeslot (8:30am on Friday, January 7th), so I thought I’d announce it as people begin to make travel plans!

ACH is sponsoring a highly interactive and forward-looking showcase of digital humanities research, teaching, and publication in MLA’s new “electronic roundtable” (read: poster session!) format. Be there or be square.

New (and Renewed) Work in Digital Literary Studies: An Electronic Roundtable

The Association for Computers and the Humanities (ACH) is pleased to sponsor an electronic roundtable and demo session featuring new and renewed work in media and digital literary studies. Projects, groups, and initiatives highlighted in this session build on the editorial and archival roots of humanities scholarship to offer new, explicitly methodological and interpretive contributions to the digital literary scene, or to intervene in established patterns of scholarly communication and pedagogical practice. Each presenter will offer a very brief introduction to his or her work, setting it in the context of digital humanities research and praxis, before we open the floor for simultaneous demos and casual conversations with attendees at eight computer stations:

Station 1: Kathleen Fitzpatrick (open peer review with MediaCommons and CommentPress);
Station 2: Laura Mandell and Andrew Stauffer (for NINES and 18th-Connect);
Station 3: Joseph Gilbert (representing four new literary projects at UVA Library’s Scholars’ Lab — on teaching prosody, analyzing collective biographies of women, sharing audio tapes of William Faulkner, and mining 18th-century texts for metaphor — with project directors Chip Tucker, Alison Booth, and (tentatively) Brad Pasanek in attendance);
Station 4: Doug Reside (the TILE project for linking texts and images);
Station 5: John Walsh (extensions to the Swinburne Project);
Station 6: Randall Cream (the Sapheos image-based collation project),
Station 7: Matthew Wilkens (on statistical measures of allegory in literary history); and
Station 8: William Pannapacker and Ernest Cole (using new media in the undergraduate classroom, with “Post-Conflict Sierra Leone”).

We’ll be posting extended abstracts for each of these projects on the ACH site later this semester.