Bethany Nowviskie

uninvited guests: regarding twitter at invitation-only academic events

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Over the past several years, I have been privileged both to attend and to help plan a number of invitation-only conferences, institutes, and symposia related to my field, the digital humanities. I use the word “privileged” not because of the exclusivity of these events, but because I know from personal experience how very hard their organizers work to set conditions leading to meaningful experiences and outcomes.

In recent weeks, I’ve attended two private events — UVa’s Shape of Things to Come conference, on scholarly editing and matters of sustainability (#uvashape), and the Re:Enlightenment Exchange (#reenx), a set of dialogues hosted by NYU and the New York Public Library. On Wednesday, I’m heading to another invitation-only gathering, Playing with Technology in History (hashtag TBD: #pastplay?), and we’re gearing up at my shop, the Scholars’ Lab, to host a second round of our NEH-funded training program, the Institute for Enabling Geospatial Scholarship (#geoinst) — by application only; deadline long passed. I’m also helping to organize the 8th annual meeting of the Mellon-supported Scholarly Communication Institute this summer (#sci8-to-be).

Most likely, you’re not on our guest list. Read the rest of this entry »

a tribute to Leah Buechley

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Last year on Ada Lovelace Day, when we celebrate women in technology, I wrote about two inspiring friends: Johanna Drucker, who taught me letterpress printing (foundational to my thinking about design and the digital humanities in the context of evolving technologies of the book) and Bess Sadler, then of Scholars’ Lab R&D and now at Stanford, who had just released Blacklight into the world as a step toward making library research more joyful. This year, I got Ada’d my own self (thanks, Julie!), with a picture from a recent workshop that confirmed my desire to write about the amazing Leah Buechley.

Leah Buechley’s work speaks to everything I hold dear about the digital humanities: that it interprets, operates within, and both impacts and reflects the experienced world — of messy, embodied, personal, subjective, aesthetic, poetic, cyborgic, enveloping life. In other words, Buechley does high-touch as well as high-tech. Read the rest of this entry »

day of digital humanities

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Just a quick post to say that I participated again this year in the Day in the Life of the Digital Humanities “community publication project,” along with these fine folks. This is becoming an annual exercise in which digital humanities scholars and practitioners of all kinds document the ins and outs of a typical day.

My own blog posts and pictures are here, at the somewhat ominously named “Day of Bethany Nowviskie“. Some other folks from the Scholars’ Lab contributed, too: Kelly Johnston, Joe Gilbert, and Wayne Graham.

I’ve been peeking in on the RSS feeds, and am looking forward to reading day-in-the-life posts from many, many friends and not a few strangers all over the world. You can also get a snippet-y sense of the activity by watching the #dayofDH hashtag on Twitter.

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This work by Bethany Nowviskie is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.
The site is powered by Wordpress and runs a heavily modified version of Bryan Helmig's Magatheme. The falling letters were designed by Nowviskie circa 1998, and she never gets tired of them.