Bethany Nowviskie

ruby slippers

Tags: ,

(Cross-posted from the Praxis Program and Scholars’ Lab blog.)

It’s been an excellent Sunday morning for posts about DH and the profession(s). First, Desmond Schmidt crunches the numbers from a decade’s worth of job postings on Humanist, which is the primary and longest-standing international discussion list for the digital humanities. (If you think there’s a DH boom in the US, check out Desmond’s per-capita analysis.) Interestingly, this survey only took PhD-level positions into account. How have job requirements in this field evolved? Tomorrow’s Humanist should have a response from Dot Porter, citing an #Alt-Academy essay she wrote with Amanda Gailey on “Credential Creep in the Digital Humanities.”

And here’s Kathleen Fitzpatrick in the Chronicle, on what is really required of institutions and departments who encourage junior scholars to ‘Do the Risky Thing’ in Digital Humanities. Kathleen is amplifying and contextualizing a concern frequently voiced in the past two years, around the spate of “cluster hires” in DH — which sometimes seemed to happen without thought given to the suport structures, both departmental and institutional, that new faculty would need. (I remember Patrick MurrayJohn as the first to start squawking about this on Twitter. I couldn’t find his much-earlier tweets, but there’s this thread at DH Answers.) On the Chronicle piece, Kathleen and Ian Bogost make two important further points that may resonate with our Grad Fellows and Praxis group: regarding “mentoring up,” and pressing forward.

Finally, Natalia Cecire responds with the most acute blog post I’ve read on the whole so-called “rise” of digital humanities and its political and professional consequences: “It’s not “the job market”; it’s the profession (and it’s your problem too).”

And what am I doing on a quiet Sunday afternoon (besides linking together this distributed conversation)? Read the rest of this entry »

praxis and prism

Tags: , ,

(Cross-posted from the Scholars’ Lab blog. I introduce our new Praxis Program here.)

Our goal in the Scholars’ Lab Praxis Program is to address methodological training in the humanities not just through workshops and courses, but by involving graduate students in digital projects from the ground up. This means learning by creating something — together — with all that entails: paying attention both to vision and detail; building facility with new techniques and languages not just as an academic exercise, but of necessity, and in the most pragmatic framework imaginable; acquiring the softer skills of collaboration (sadly, an undiscovered country in humanities graduate education) and of leadership (that is, of credible expertise, self-governance, and effective project management). All this also involves learning to iterate and to compromise — and when to stop and ship.

To do this, our Praxis team needed a project. We wanted it to be a fresh one, something they could own. It was important to us that the project only be in service to the program — that its intellectual agenda was one our students could shape, that they set the tone for the collaboration, and that — as much as possible — it be brand-spanking-new, free from practices and assumptions (technical or social) that might have grown organically in a pre-existing project and which we might no longer recommend.

In this inaugural year of the Praxis Program, the Scholars’ Lab, in consultation with some colleagues from UVa’s College of Arts and Sciences, is providing the central idea for the project. It’s just too much to ask that students new to digital humanities work invent a meaningful project from whole cloth on Day 1 of the program — especially one that, we hope, will make a meaningful intervention in the current scene of DH research and practice. That said, by the end of this year, our current Praxis team plans to have conceptualized a second project (or perhaps an extension of this one) to pass on to next year’s group.

Here endeth the preamble. What are we up to now? Read the rest of this entry »

new (and renewed) work in digital literary studies

Tags: ,

This is just an early announcement about a session at January’s MLA convention. We now have a timeslot (8:30am on Friday, January 7th), so I thought I’d announce it as people begin to make travel plans!

ACH is sponsoring a highly interactive and forward-looking showcase of digital humanities research, teaching, and publication in MLA’s new “electronic roundtable” (read: poster session!) format. Be there or be square.

New (and Renewed) Work in Digital Literary Studies: An Electronic Roundtable

The Association for Computers and the Humanities (ACH) is pleased to sponsor an electronic roundtable and demo session featuring new and renewed work in media and digital literary studies. Projects, groups, and initiatives highlighted in this session build on the editorial and archival roots of humanities scholarship to offer new, explicitly methodological and interpretive contributions to the digital literary scene, or to intervene in established patterns of scholarly communication and pedagogical practice. Each presenter will offer a very brief introduction to his or her work, setting it in the context of digital humanities research and praxis, before we open the floor for simultaneous demos and casual conversations with attendees at eight computer stations:

Station 1: Kathleen Fitzpatrick (open peer review with MediaCommons and CommentPress);
Station 2: Laura Mandell and Andrew Stauffer (for NINES and 18th-Connect);
Station 3: Joseph Gilbert (representing four new literary projects at UVA Library’s Scholars’ Lab — on teaching prosody, analyzing collective biographies of women, sharing audio tapes of William Faulkner, and mining 18th-century texts for metaphor — with project directors Chip Tucker, Alison Booth, and (tentatively) Brad Pasanek in attendance);
Station 4: Doug Reside (the TILE project for linking texts and images);
Station 5: John Walsh (extensions to the Swinburne Project);
Station 6: Randall Cream (the Sapheos image-based collation project),
Station 7: Matthew Wilkens (on statistical measures of allegory in literary history); and
Station 8: William Pannapacker and Ernest Cole (using new media in the undergraduate classroom, with “Post-Conflict Sierra Leone”).

We’ll be posting extended abstracts for each of these projects on the ACH site later this semester.

Creative Commons License
Work at http://nowviskie.org by Bethany Nowviskie is licensed under a Creative Commons Attribution 3.0 Unported License.
The site is powered by Wordpress and runs a heavily modified version of Bryan Helmig's Magatheme. The falling letters were designed by Nowviskie circa 1998, and she never gets tired of them.