When I was a graduate student in my mid-20s, around (gasp!) the turn of the century, I helped to found an intentionally short-lived but very interesting and effective humanities computing think tank. It was sort of an unauthorized, prototyping or tool-building offshoot of the center where I worked, UVa’s Institute for Advanced Technology in the Humanities. This is before the Scholars’ Lab existed. Only CHNM and (relative to today’s wild blossoming) a startlingly few other such digital humanities and digital history centers were in operation. This is, in fact, before “DH” existed, as a term of art.
One of the many fun things for me, about establishing this think tank—alongside folks like Jerome McGann, Steve Ramsay, Johanna Drucker, Geoffrey Rockwell, Andrea Laue, Worthy Martin, and a few others—was that I got to name it! Sometimes you do, if you’re the one building the website. (Or at least, you used to.) The name I suggested was the Speculative Computing Lab—SpecLab, for short. I was so enamored with the idea—the metaphor, really, of speculative computing—that it also became the title of my dissertation. Let me tell you why, and explain why I tell this story on a panel about the future of DH centers. Continue reading “speculative computing & the centers to come”
[Update: I’ve made low-res versions of my slides and an audio reading available for download on Vimeo, Alex Gil has kindly translated the talk into Spanish, and Melissa Terras’ wonderful performance is now up on the Digital Humanities 2014 website. Finally, a peer-reviewed and formally-published version appears in a 2015 issue of DSH: Digital Scholarship in the Humanities.]
“And by-and-by Christopher Robin came to an end of the things, and was silent, and he sat there looking out over the world, and wishing it wouldn’t stop.” – A. A. Milne
Every morning, as the Virginia sun spills over the rim of the Shenandoah Valley, I dive into the water of my municipal swimming pool and think of ruined Roman baths. On either end of the lane in which I take my laps are blue tile letters, mortared just beneath the waterline by a craftsman of the century gone by. I read two words as I swim back and forth: shallow and deep, shallow and deep.
I’m here to give a talk that likewise wants to glide from shallows to depths in turn. My hope is to position our work—the work of the DH community that has nurtured me with kindness for some 18 years—less as it is lately figured (that is, less as a fragmenting set of methodological interventions in the contemporary, disciplinary agon of humanities scholarship) and more as one cohesive and improbably hopeful possibility. The possibility is for strongly connecting technologies and patterns of work in the humanities to deep time: both to times long past and very far in prospect. But I’ll swim to the shallows, too—because, by musing about the messages we may attempt to send and receive in the longest of longues durées, I mean also to encourage a searching and an active stance in DH, toward our present moment—toward engagement with the technological, environmental, and ethical conditions of our vital here-and-now.
I promised in my abstract a practitioner’s talk, and that is what you will get. I’m not a philosopher or a critic. I’m a builder and a caretaker of systems—so I will attempt to bring a craftsperson’s perspective to my theme tonight.
Of course, I’m being rude. The click-bait question, as posed, had a foregone conclusion — but there’s much to recommend in the report, even if it fails to define a “DH center” in any clear way, makes an unwarranted assumption that “DH academics” and librarians exist in mutually-exclusive categories, and bases too much of its understanding of faculty and researcher perceptions on the inadequate sample of some conference-going and a couple of focus groups (however carefully convened and accurately reported).
The chief value of the report may lie in its stated and implied purposes: providing library directors with a set of options to consider (stated) and an easy citation — a bit of OCLC back-up — (implied) for the local arguments they must formulate in the event their provosts or presidents catch Library-based DH Center-itis and seem completely unwilling to entertain a model customized to the needs of the institution. Wait a minute. That will never happen.
Okay, the chief value of the report is in its clear reinforcement of the notion that a one-size-fits-all approach to digital scholarship support never fits all.Continue reading “asking for it”
One of the least helpful constructs of our “digital humanities” moment has been a supposed active opposition, drawn out over the course of years in publications, presentations, and social media conversation, between two inane-sounding concepts: “hack” and “yack.” The heralding of DH as the academy’s “next big thing” has been (depending on whom you ask) over-due or overblown, unexpected or contrived, refreshing or retrograde—but one thing is clear: everyone has a rhetorical use for it. The uses of “hack vs. yack,” on the other hand, rapidly became so one-sided that I find it odd the phrase retains any currency for critique.
[This is the cleaned-up and slightly expanded text of a talk I gave last week, at a University of Illinois symposium on the future of the humanities at state-funded, US-based research universities. My paper was called “Graduate Training for a Public and Digital Humanities.” The organizers of the symposium, Gordon Hutner and Feisal G. Mohamed, framed its goals in a New Republic essay and positioned the event deliberately between two significant anniversaries: of the Morrill Act, establishing land-grant universities in the US, and the GI Bill, extending higher education to the American under-classes.]
Today, some 20 years after its first formulation, there is little question of the validity of Jerome McGann’s core and repeated argument: that we humanities scholars and publics stand before the vast, near-wholesale digital transformation of our various and shared cultural inheritance. This transformation – more properly, theseremediations – are fully underway. They open new avenues for the work of the liberal arts in all of its spheres: for our ability to gain access to, to analyze and interpret, and most importantly to vouchsafe to future generations, the words, images, sounds, and built and material objects that crystalize in our archives and which we so carefully position to refract little, mirror-like understandings of what it has meant, for the blink of an eye, to be human. Continue reading “toward a new deal”